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This logical image construction and the constricted segmentation of the frame, as well as the strained diagonals, horizontals and verticals all keep endowing the constructions with an unsettling feeling of uncertainty and imbalance. As if these pieces were transubstantiated into monuments of infinite waiting, watching and vigilance. The issues engaging Karoly Halasz to this day, related to geometry, constructivism or planar and spatial problems of form, unfold through graphics and paintings on industrial canvas, two- and three-dimensional sculptures and a metal sculpture originally exhibited in 1972 in Balatonboglar and in 1978 in Pecs, now reconstructed for the exhibition.

The exhibited static and kinetic objects ironically reflect on the local and global political phenomena of our time from the perspective of ordinary people, occasionally using simple practical jokes.